The magic of The Royal Ballet
comes to the Big Screen with Cinema Nouveau
A CLASSIC PRODUCTION OF SWAN LAKE –THE WORLD’S MOST LOVED BALLET – COMBINES DRAMA
AND TRAGEDY IN THE BATTLE BETWEEN GOOD AND EVIL
“If you only ever see one Swan
Lake in your life, see this.” – The Independent
A season of five famous ballets from the
Royal Ballet is being screened at Cinema Nouveau theatres over the next few
months. The season launched with Alice’s Adventures in Wonderland in
March. The next production to be shown on the big screen is the iconic ballet
set to Tchaikovsky’s beautiful music, Swan Lake (from Saturday, 02 May).
Swan Lake, surely the greatest of all Romantic ballets, is
the captivating story of a beautiful woman transformed into a swan, and a
heart-rending tribute to the power of love. The ballet is a perfect synthesis
of choreography and music and, though Tchaikovsky did not live to see it become
a success, his first ballet score is now synonymous with ballet itself,
inspiring generations of dancers and crossing over into popular culture.
Anthony Dowell’s Royal Ballet production
stars Principal dancers Natalia Osipova and Matthew Golding in the lead roles
of Odette/Odile and Prince Siegfried, in a formidable partnership.
Tchaikovsky’s iconic score and Yolanda Sonnabend’s set designs inspired by The
House of Fabergé recreate the glamorous opulence and drama of the Russian
court, while the famous lakeside ‘white’ acts are rich with mist, shadow and
haunting moonlight.
Dowell’s
production of Swan Lake
had its world premiere in 1987, one year into his 15-year tenure as Director of
the Royal Ballet. Twenty-eight years later, the production is a much-loved
Royal Ballet classic. Returning this year to oversee the production's
return, Dowell remains a perfectionist: “As a dancer, you're in control if
things go wrong; as a producer, you can’t stop things. It’s live theatre,
and that’s what’s exciting!”
Introducing
the cinema screening, presenter Darcey Bussell, who danced
as a Principal with The Royal Ballet for nearly 20 years, first danced Swan Lake in 1990. The
lead role of Odette/Odile, which was initially created for two ballerinas,
demands first-class technique as well as dramatic interpretation.
“It was
my first three-act classic as a Principal, and I had two days coached by Dame
Margot Fonteyn,” she says. “I thought she was going to drill me on technique,
but she emphasised that every step is telling the story: ‘Don’t try and be the
Swan; you are always the woman first’.”
In
the ballet, Prince Siegfried chances upon a flock of swans while out hunting.
When one of the swans turns into a beautiful woman, Odette, he is instantly
captivated and determined to break the spell that holds her captive. The evil
spirit Von Rothbart, arbiter of the curse, has other plans however, and
disguises his daughter, Odile, as Odette. Fooled, Siegfried declares his love
for her, and so dooms Odette to suffer under the curse forever.
The
Principals and corps de ballet on Swan Lake
Swan
Lake is
perhaps the most iconic of all ballets. A romantic fairytale set to Tchaikovsky’s
masterful score, it features some of ballet’s most famous set pieces, and is
demanding for the corps de ballet and Principal dancers alike. Dancing in
perfect synchronisation in the lakeside scenes, the corps de ballet, an
array of swans in spectacular white tutus, give the production a lyrical
beauty.
“In Swan Lake the corps
de ballet are so essential,” says Royal Ballet Director Kevin O'Hare. “If they’re
not living and breathing with the music as the Principals are, it just doesn’t
work.”
A huge
amount of preparation goes into performing a work like Swan Lake, and The
Royal Ballet has an extensive team of répétiteurs, coaches, ballet masters and
mistresses and notators that work with the dancers to make sure no detail is
overlooked. “With Christopher
Carr, you will never go on stage not knowing what you are doing,” says
First Artist Gemma
Pitchley-Gale. “He drills the dance so that you know it and feel
really confident.”
The
dual role of Odette (the white swan) and Odile (the black swan), is one of the most
challenging in the ballet repertory and requires the portrayal of both the
gentle and vulnerable swan princess Odette and her predatory alter ego Odile.
It’s the role every ballerina dreams of dancing.
“I don’t
imagine Odette as a magnificent swan,” says Natalia Osipova of her lead role.
“She is fragile and vulnerable, like a flower that has bloomed and you want to
protect it. She wants to believe the Prince will save her from the curse, but
she can’t. I haven’t danced Swan Lake with Matthew before –
our artistic partnership has only just begun, but he is a fabulous, incredible
dancer.”
Matthew
Golding rehearsed the role of Prince Siegfried with former Royal Ballet
Principal Jonathan Cope. ”Having the chance to work with Jonathan Cope in the
studio is really special,” he says. ”When I was studying at the Royal Ballet
School, I was a page boy on stage watching him performing! Now we’re in the
studio, what he focuses on is connecting with my character in trying to tell a
story.”
The
live performance on 17 March was captured for release on cinema screens
worldwide. Ross McGibbon, a former member of The Royal Ballet, directs the live
cinema production, which also includes exclusive backstage footage and interviews
with the cast and crew.
Swan
Lake releases on South African screens on Saturday, 02 May
for four screenings only – on 02, 06 and 07 May at 19:30 and on 03 May at 14:30
– only at Cinema Nouveau theatres in Johannesburg, Pretoria, Durban and Cape
Town. Bookings are now open. The running time of this ballet production is
2hrs, 10mins plus two intervals of 25mins (after Act II) and 20mins (after Act
III).
View some video clips of The Royal Ballet’s
performance of Swan Lake here:
https://www.youtube.com/watch?feature=player_embedded&v=6Kim3HTwvU4;
https://www.youtube.com/watch?feature=player_embedded&v=1_YvpXPFatI
For booking information on the Royal Ballet’s Swan
Lake, visit www.cinemanouveau.co.za or
sterkinekor.mobi. Folllow us on Twitter @nouveaubuzz or on Facebook at Cinema
Nouveau. Download the Ster-Kinekor App on any Nokia, Samsung Android, iPhone
and Blackberry smart phones for updates, news and to book from your mobile. For
queries, call TicketLine on 0861 Movies (668 437).
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